Tequila Shots and the Rules of Wine Public Relations

TshotsI find myself in a relatively unique position. For many years, like my blogging partner Julie Ann Kodmur, I’ve made a living working in wine public and media relations. Part of that job is reaching out to journalists and “pitching” stories that represent the interests and backgrounds of the clients that pay me. We both are pretty good at this.

However, for over a decade now I’ve also been blogging, usually at Fermentation, and I’ve been pretty successful at that too. As a result I get stories pitched to me by other PR professionals who want me to write about their clients. A turning of the tables if you will.

So, here is the pitch I got from one PR company today. This is real:

“Question: are you ready for the end of the summer? Probably not. Do you have a plan? Maybe. Would you accept suggestions? Definitely! Labor Day weekend is around the corner and what better way to say good bye to the hot summer days than with tequila shots!

So I stared at that awhile. Re-read it a couple of times. Then I tried to imagine the story I might be writing if in fact downing tequila shots was a central element in that story. I tried to figure out how I could write a story that centered around the virtue of doing tequila shots. Of course, I know what the virtues are of doing tequila shots. I’m just having a hard time figuring out the virtue of writing about those particular virtues.

While I’m thinking about what those virtues might be, I do have some solid recommendations for wine PR and marketing folks that relate to this particular story pitch I received:

• Try to pitch stories to writers who have at least a slight interest in what you are pitching.

• Try to pitch stories that go beyond the somewhat comical, “Wanna tell your readers how to get shit faced”?
• Never, ever, hit the send button after writing the first thing that popped into your head and not leaving time to edit what is likely a very bad idea.

 

Killing the Wine & Arsenic Story – Before It’s Too Late

Killing the Wine & Arsenic Story — Before It’s Too Late

By Tom Wark

Cross posted from Fermentation – The Daily Wine Blog

“Boy, who knew about the arsenic in wine. I’m a beer drinker.”

“Great, now there’s another way I can die…Just drink wine.”

These are two comments that were directed at me this weekend. Both were unsolicited and both in response to me being asked what I do for a living and responding that I work in the wine business.

IF YOU DON’T THINK THE ARSENIC STORY IS A BIG DEAL, YOU BETTER THINK AGAIN.

Here’s what I can guarantee: sales of wine will decline over at least the next two months, if not further, due to the report that some wines have elevated levels of arsenic in them.

It does not matter that the report is bogus.

It does not matter that those reporting it are extortionists.

It does not matter that you’d have to drink yourself dead to be harmed by the arsenic in wine.

What matters is the perception and the impression.

If you’ve ever wondered why you pay dues to your state winery association or to your regional/appellation association, the reason is for moments like this. If your state or regional trade association is not on the phone with reporters of a national or local perspective, then you better get on the phone with them and absolutely demand they start making calls, setting reporters straight, telling the real story and doing everything they can to discredit the people who are spreading the story that wine is dangerous.

So, as a winery, retailer or member of any other sector of the wine industry, what should you do?

1. Contact your regional and state-based trade association just to remind them that you hope they are addressing the arsenic controversy.

2. Put a statement on your website discrediting the controversy and explaining why there is no danger of arsenic poisoning from drinking your wine.

3. Create a short and sweet fact sheet about the controversy that you can send to customers or trade that ask about the issue.

4. Use social media to direct your followers and friends to the best discrediting of the report that you’ve seen. Here is a good one from the California Wine Institute.

You’ve got to kill these kind of damaging disreputable claims in their crib and you’ve got to do it with hurricane force because if bogus claims like this are left to metastasize it can grow into a cancer on the industry that will be hard to overcome.

Six Important Seminars for the Wine Writers Symposium

winepenpaperiAs I write, the Wine Writers Symposium is underway in Napa Valley at Meadowood Resort. For the wine publicist, this gathering of well established wine writers, simply established wine writers and others who identify themselves as “wine writers” would be nirvana. Imagine, all these wine writers with digital ink to spare all gathered in one place just dying to hear about my clients.

However, I am not allowed within a mile of the place, even if I paid to go. This is true despite my more than a decade of blogging about the culture, business, marketing and politics of wine. I’m not allowed precisely because I’m also (and primarily) a wine publicist and the organizers of the Wine Writers Symposium properly prefer the event to be about the writers in attendance and writing…not about my clients.

All that said, working with many wine writers in my line of work, I do have some ideas about what kind of seminars I might deliver up if I were organizing the Wine Writers Symposium. Some would say this is a list of “My Problems With Wine Writers” but it’s not. Rather, it’s a list of “What It Takes to Be A Great Wine Writer.”

So, what would my seminar look like?

Seminar #1
How To Fact Check
Believe it or not it’s not unusual to see my clients placed in regions they’ve never been in and find their tasting rooms open hours after they close. We would assign Eric Asimov of The New York Times to administer this seminar.

Seminar #2
How to be a Wine Drinker’s Advocate
Despite the absurdly numerous and ancient anti-consumer laws on the books in nearly every state, you rarely see a writer address these laws by calling on consumers and lawmakers to change them. If this isn’t the job of the wine media, then I don’t know whose job it is. I would assign Jerry Mead the task of overseeing this seminar. Only a small hitch with that plan: Mr. Mead has left the building.

Seminar #3
How to Make Your Readers Laugh & Cringe—Simultaneously
Satire and straight talk and a little bit of wit is a rare commodity in the wine writer biz. But when it’s done well everyone comes out of it with more than they went into it with. This kind of writing keeps folks coming back for more. For this seminar, Chris Kassel would be tapped.

Seminar #4
How To Make Money Writing a Wine Blog
The elusive desire! The pot of gold at the end of the rainbow. And the question that countless would-be self-publishers have pondered for near a decade now. As yet, we have not determined who would moderate this seminar nor who the panelists would be.

Seminar #5
The Art of Tasting and Reviewing 200 Wines in a Day
If you are going to dispense information every wine lover wants, then you need to get to reviewing. But four of five wine reviews a week just won’t do the trick. That just the thirsty reader wanting more. Thousands of reviews. That what you need. And there is obviously a trick to getting that many wines reviewed for your readers. Whether it’s advice on how not to ruin your keyboard to how to undergo a palate replacement with minimal hassle. Of course, Robert Parker Jr. would chair this panel with Antonio Galloni as his second.

Seminar #6
How to Be Nice to a Wine Publicist
Hey, we just want the chance to pitch a story; maybe just get our client’s wine in front of you. There are a number of easy tips available that will show you how to be nice to the folks who just want to give you the best story idea of your life. Any young wine blogger seeking free wine samples could oversee this seminar.

The 25 Stories Guaranteed to be Written by the Wine Media

newspaperAt Tim Atkins’ blog, Ron Washam (AKA Hosemaster of Wine) offered up a list of topics he’d like wine bloggers to ignore in 2015. It’s a pretty predictable list of topics that wine bloggers will cover at some point…if not annually. Inadvertently, Washam makes the point that some topics will always be covered by the wine media. In fact there is a list of topics that wineries can count on seeing covered year in and year out. For the winery seeking exposure through the media, knowing what these topics are and making sure the media associates their brand with these stories is a good way to generate the desired coverage.

What are those topics that you can count on being covered year in and year out by the media? Behold…

1. Young Winemakers (children of older winemakers) making an impact.

2. Global Warming and its impact on wine

3. The resurgence of (name that varietal).

4. The Three Tier System is archaic and hurting someone

5. The first grapes have been harvested this vintage

7. Its springtime and time for Rose.

8. How to pair wines with Thanksgiving Dishes

9. How to pair wines with Easter Dishes

10. The best places to stay and eat in (name the wine country)

11. Wine critics don’t know what they are talking about.

12. Sparkling wine is for more than just celebrations

13. New York (name another wine region outside of CA) wines are on the rise

14. The best gifts for wine lovers

15. It’s the “Vintage of the Century” (for Bordeaux wineries only).

16. “Natural Wine” is on the rise.

17. You don’t need to pay a lot to drink great wine

18. Will drinking wine make you fat?

19. The best restaurant wine lists in (pick a city)

20. Wine sales increase last year

21. Research shows drinking wine will (imorove) or (harm) your health.

22. Study shows wines are purchases based on the label (or price, or place on the shelf)

23. Will red (or white) blends finally find a place in wine lovers’ collection?

24. Direct wine shipping is coming to (name the state)

25. We mourn the passing of (name a great winemaker/winery owner)

Looking for exposure in the media? Anticipate which of these stories will be written by a particular media outlet or outlets, position yourself to be positively portrayed in one of them and get the word out to the media (Try not to be part of #25). It’s really as simple as that. Because you know these stories are going to be written.

Is Wine PR Nothing More Than Bribes?

Bribe copyIt is one of the most interesting questions that has ever so naturally formulated itself in front of my eyes: AT WHAT LEVEL OF COURTSHIP SHOULD THE COURTIER TAKE OFFENSE THAT THE OBJECT OF THEIR DESIRE HAS NOT RESPONDED THEY WAY THEY HOPE?

Put another way, how much does a wine producer have to spend on courting a wine writing before they may legitimately be offended that writer has not written about them?

This is the fascinating question implied by this comment by Damien Wilson of the Burgundy School of wine published in Harper’s:

What surprises wine producers is that bloggers could think it is appropriate that producers accept their freedom to write anything after having traveled and been accommodated at the producers expense. Remember, that a producers does not have to agree with a blogger’s perspective. But to not write anything after receiving value in wine, time, restauration and accommodation is simply a one-way transaction. In other descriptions of commerce, one way transfer of value could also be called “theft”.

Clearly Mr. Wilson believes that a certain amount of wine drinking, feeding, housing and travel that leads to no writing by the writer receiving these things is grounds for taking offense. But what if the writer traveled on their own dime to a winery, took a tour, sampled wine from the barrel, and snacked on cheese and charcuterie, then wrote nothing? Would that be grounds for offense—or, as Mr. Wilson implies, a form of “theft”? What if the writer’s travel by train is paid for, but the writer pays for their own accommodations, yet drinks the producers wine and eats their food and never writes anything? Can offense be legitimately taken? What if the writer is doing a piece on a producer’s home region, asks for a sample bottle of wine, receives it but then never writes about the producers? My the producer legitimately take offense?

Here is what I think any producer, marketer, publicist or administrator at a business school ought to understand intuitively: when any amount of funds are expended to introduce a wine product to a writer in the hopes they will cover it, there should be absolutely no moral, ethical or commercial expectation that the expenses ought to result in coverage; and certainly should not immediately result in coverage.

To believe otherwise is a foul misunderstanding of the nature of journalism as well as public relations. In fact, the proper way to understand the expense of courting the press is to see it as providing an education of the writer about a brand or product. One certainly goes about using marketing and media relations with the hopes that the producer’s story will be told as a result. But believing you have paid for results and ought by moral right to receive them will only result in disappointment and a poor relationship with the media.

Here’s the caveat. No writer should ever accept something of value from someone willing to offer it if they know they have no intention of ever writing about the produces or the subject matter they represent.

Mr. Wilson’s mistake is believing (and advising) that Media Relations is akin to a transaction. It’s not a transaction. It is an investment. Paying for a wine writer to travel to and stay at and estate and then feeding them is, in the business world, actually akin to placing an ad in a magazine or on an Internet site. Simply because one paid for the ad one cannot have an expectation that it will result in a specific number of sales. That’s crazy talk. They can hope it will. They can look at past experience with advertising, seeing what worked and what did not, and be confident that some sales will result. They can surely expect that the ad will reach a certain number of people. But to believe by right they ought to receive X number of orders as a result of the ad defies and understanding of marketing.